Saint Mesrop
Bronze of art - 80 x 80 x 60 cm - 40 000 €
Bronze Prints Numbered out of 8 | Location : Square place of l’Europe, Alfortville 94140
* The Meeting *
This artwork carries a deeply spiritual story (for me). One day in 2015, while driving past the square of Europe-Charles-Aznavour in Alfortville, which was undergoing renovation, a thought crossed my mind:
“What a beautiful place to install a sculpture!”
A week later, as if by some strange coincidence, I received a call from Mr. Philippe Car, Deputy Mayor of Alfortville in charge of Culture and Community Life, inviting me to a meeting to discuss a sculpture project. On the appointed day, I went to the City Hall and met Mr. Philippe Car. During our conversation, I introduced my work using my Press-Book to give him a glimpse of my artistic world.
Shortly after, a second meeting was organized to delve deeper into the idea. This time, Mr. Philippe Car was accompanied by Mr. Richard Ananian, Deputy Mayor in charge of Urban Planning. A proposal was made to me: to create a bust of Saint Mesrop Mashtots for the square of Europe-Charles-Aznavour .
At those words, a wave of emotion came over me, sending shivers down my spine, as it echoed the exact thought I had had a week earlier while driving past that very square. My first reaction was to point out that a life-size bust might be lost in the vastness of the space; it needed to be created at a larger scale — at least twice its normal size — in order to be truly visible.
Mr. Philippe Car then informed me that the budget might not allow for such a project. Instinctively, I replied that this was not a problem: I would be happy to offer part of my work as a contribution. At that very moment, the faces of the city officials lit up. And it was then that I had a vision of the bust of Saint Mesrop, just as it stands today in the square of Europe-Charles-Aznavour.
I then suggested an alternative: instead of a bust twice as large, we could opt for a 1.30 scale version, showing a torso in motion, with both arms visible. And so began this adventure, blending intuition, personal commitment, and spiritual inspiration.
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* The Search for the Face of Saint Mesrop *
After our agreement, one essential question arose:
“What did Saint Mesrop Mashtots actually look like?”
I undertook thorough research, exploring various archives, eventually reaching “The Matenadaran”, the largest library of ancient manuscripts in Armenia. There, I received a crucial confirmation:
There exists no physical description or representation of Saint Mesrop Mashtots.
Even Koriun, his disciple, who wrote his biography in 405 AD, elaborates at length on his work, commitment, and legacy — but never once mentions his physical appearance or personality.
Faced with this complete absence of representation, I chose to embody my own vision of Saint Mesrop Mashtots — a vision born during my meeting at the City Hall, deeply rooted in my intuition and the symbolic nature of the location where his bust would be installed.
Thus, I created the Armenian face of my vision at the crossroads of East and West — a harmonious synthesis of both influences. For a piece destined to be installed in a square named “Europe-Charles-Aznavour” this approach seemed not only relevant but perfectly in line with the spirit of the place.
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* The Creation *
First, I sculpted a preliminary model of Saint Mesrop Mashtots’ torso to present to the Alfortville City Council. This time, the meeting included Mr. Luc Carvounas, the Mayor of Alfortville, who initiated the project.
This initiative carried deep symbolism, as explained by the Mayor: the city of Alfortville is twinned with the city of Oshakan in Armenia, where Saint Mesrop Mashtots is buried. After our exchange, the City Hall officially gave its approval for the creation of the work.
I then began my work, which required no less than 280 kg of clay to model the saint’s torso.
The journey, both magical and spiritual, did not stop there. During the creative process, extraordinary events occurred — what I like to call:
“The Gifts” 
Every morning, while sharing an oriental coffee with my mother, incredible surprises would appear. Without even turning over the coffee cup (as is sometimes done), simply by observing the patterns left by the grounds on the inner walls, fascinating images would emerge: Mount Ararat, Armenian churches, and one day — the silhouette of the very torso I was sculpting.
To me, this was both marvelous and deeply moving.
And so, the magic continued, day after day…
Saint Mesrop, emerging from Armenian soil, faces his parchment laid on an oak log, drawing inspiration from Mount Ararat, which stands behind him, for the creation of the Armenian alphabet. His head turns to the left, while his raised hand points toward Mount Ararat, symbolizing his spiritual and intellectual connection to this emblematic Armenian symbol. His right hand transcribes the letters of the Armenian alphabet. Since Mount Ararat isn’t physically present in the square, an idea came to me spontaneously: I integrated it directly into the forehead of Saint Mesrop Mashtots, as a symbolic wrinkle. In the days that followed, further symbolic inspirations emerged. I decided to evoke Mount Ararat again — this time on his chest, near the heart — by inscribing the name Mesrop Mashtots. In the Western alphabet, the letter “M” resembles the silhouette of Mount Ararat, whose two peaks naturally form that iconic shape.
Saint Mesrop Mashtots was born on the western side of Mount Ararat (formerly Great Armenia) and died in eastern Armenia, on the other side of the mountain. This is why the two “M”s in his name appear as mirrored forms of Mount Ararat: one peak higher than the other, symbolizing historic Armenia, divided between East and West.
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* References *
L’Inauguration
You can watch the 2015 video of the inauguration of the bust of Saint Mesrop Mashtots in the square of Europe-Charles-Aznavour in Alfortville here
Press Coverage:
• Le MAG
• Val-de-Marne-Infos
• Nouvelles d’Arménie magazine
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* Word of gratitude *
I would like to express my heartfelt thanks to the Mayor of Alfortville, Mr. Luc Carvounas, for his initiative, which enabled such an extraordinary project to come to life. I also warmly thank Mr. Philippe Car, Mr. Richard Ananian, and the entire municipal team for their support and contribution.